brucy
Gardenworld is a wonderful record that floats on a current of its own design. Seemingly bringing you below the surface of a sea (a sound that comes in and out of several tracks), only to rise again and glide along the air.
Favorite track: Moment of perfection.
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
$5USD or more
Limited Edition Cassette
Cassette + Digital Album
:::::SHIPPING OUT END OF OCTOBER::::::
Includes unlimited streaming of Gardenworld
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Sold Out
Original run, final copies
Cassette + Digital Album
Final copies of the original run of Gardenworld cassettes released through Island House Recordings. Tapes are located here in Australia for those who would rightly like to avoid the exorbitant postage charges us Antipodeans now face.
Includes unlimited streaming of Gardenworld
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Adam Hipwell is no novice contemplator of the void. After cutting his teeth in the Melbourne tape-scuzz post-post-punk group Wunderlust & crafting cinematic strains of majestic instrumental post-rock with Council of Elders, Hipwell has shifted his focus inwards and out, and Gardenworld, released as Hipwell, is the result, a simultaneous zoom in and pan out. At first glance the elements may seem familiar, but there is a rare level of sensitivity in the playing and arrangements, a roiling complexity beneath even the most placid passages that occasionally comes to the surface, enveloping the listener.
Opener “Cool temperate” floats along on a placid ten-note sequence, gentle pads and squiggly leads following the changes, gentle washes of gleaming guitar rolling ashore. “I Choose You Too” tunnels downward, with big yawning synths grinding against each-other, glittery metallic shards ricocheting into the heart of the earth before the whole thing explodes with free-time drums and a guitar solo ragged as though it was yanked up through the ground from the mantle before suddenly fading to silence. “Big eternal beautiful” begins with birds and water before synths and guitar enter. Here, Hipwell's guitar feels like a more liquid David Gilmour, with all the ebullient lyricism and carefully placed notes, and as the layers of the nine-and-a-half minute track build, it manages to always carve out a place for itself, picking its spots like a boxer taking jabs. The back half of the tune drops out the guitars and piles on the big pads, yawning upwards as resonant arpeggios tickle your spinal cord. “Pale Reflection” doubles down on overwhelming walls of beautiful and aching synth, in just under three minutes it still manages to knock some dust off my pineal gland as wisps of guitar and filter sweeps float to the ever-opening ground like dead leaves. The (slight return) version swaps the synths for tanpura and pulsing bass, giving the guitar more room to stretch out and fill the corners. Closing track “Moment of perfection,” responsible for nearly half the albums run-time at 22:08, transports the listener to an oceanic scene, gently panning waves wash up on the beach and are mirrored by slowly swelling keys. Voices come in and out, barely audible, and the track ebbs and flows instead of building, closer to Jonah Sharp's most spaced-out work as Spacetime Continuum in its shape than some of its more obvious psychedelic/kosmiche/new age-y counterparts. There is an uneasiness somewhere below the surface, the disembodied voices in turns comforting and sinister, the arrangements twisting sour momentarily, big portamento leads over chiming guitars and field recordings bringing to mind the strident synths on THE KLF's Chill Out or Lorenzo Senni's STARGATE. The musical elements slowly wash away, leaving us finally with the sounds of the ocean crashing, birds yawping overhead.
Hipwell has staked out a wide territory for himself on this release, straddling many forms while maintaining a piercing gaze to the skies, comfortably inhabiting each one while pushing against its walls, and adorning them all with his strong sense of melodicism. Gardenworld pushes these strengths to the forefront, creating a compelling and deep sound-world for any who enter.
-M. Geddes Gengras
credits
released September 30, 2022
Adam Hipwell - synthesizer, guitar, flute
Ivan Masic - percussion on 'Pale reflection'
Easy Dada - production on 'Cool temperate', 'I chose you, too' and 'Big eternal beautiful'
Self recorded and mixed on Wurundjeri Woi Wurrung land
Mastered by Goran Simonoski @ La Plant Studio
ig: @laplant_mix_and_master
Thanks to Josephine Hipwell, Easy Dada, (((ex ponto))), Oren Ambarchi for the formative listening, Dad for the loan of the strat., Bashar Gurkhan for the computer, Wunderlust and Council of Elders for helping me grow
